Showing posts with label 4/10. Show all posts
Showing posts with label 4/10. Show all posts

Saturday, 24 March 2012

A Wedding Quilt for Ella - Jerry S. Eicher

READ: FEB 14 - MARCH 09, 2012
RATING: 4 OUT OF 10
REASON: FANS OF AMISH FICTION GROUP READ FOR FEBRUARY

Ella Yoder's wedding with Aden Wengerd and the building of their dream house is set for June. But when Aden is suddenly taken from her, Ella begins to doubt God's love.

When her family pressures her to marry the new young bishop, Ella asks for six months to heal from Aden's death. Meanwhile, Aden's brother, Daniel, helps Ella build her dream house based on a drawing by Ella's sister, Clara and now incorporated into Ella's wedding quilt.
Can healing come through a house? A quilt? A community?
This book took me a long time to read, partly because I had a lot of other books to read for university that I had to finish by specific deadlines, and partly because this book just didn't grip me. For the most part, it was a quick and easy read. While the speech sometimes seems stilted and forced, it wasn't too badly written, so it wasn't as if I was stumbling over awkward prose. A few of my friends adored this book, while others found it difficult to enjoy. I tried not to start this book with a bias, but considering the views of some of my friends I expected that I wasn't going to like this book. So I was surprised to find that I could actually relate to Ella at the beginning of the story. I'm engaged to be married in four months and honestly, I could understand Ella's pain at her situation - she was not yet a wife, yet she's lost the man she was meant to marry. Does she still get the respect of a widow? Do others lessen her pain because she was never truly Aden's wife? This part of the story was probably the most believable and relatable section for me. I actually struggled to read it as I didn't want to think about what I would do if I lost Simon before we were married. It's just too painful to think about. I think Jerry Eicher captured Ella's distress quite well at this point.

But ultimately, this was the best part of the story. After this, the book moved along very slowly, often focusing on every day events that didn't lead anywhere. Although Ella wrote in her diary about how she was coping with her loss, I never felt like I really got inside her head after the funeral. Apart from the first part of the book, I didn't really connect with any of the characters. Everything felt surface-deep and some of the characters (especially Dora) seemed to change personalities to fit the situation they were in.

My biggest problem with this book is the presence of superstition and the way that everyone thinks that there will be a series of three deaths, and that this is God's Will. As another reviewer has noted, this book gave a really negative image of God. While a lot of Amish novels discuss the issue of God's Will, they never put God across as so harsh as it came across in this book. Whenever anyone begins to question the reasons for the deaths, their parents or church elders tell them that it's sinful to question God's ways and that he obviously meant life to turn out this way. I'm sorry, but this is not how I interpret God's will, nor how a lot of other Amish novels have approached it. Bad things happen in life all the time, but I believe that because God has given us free will, these bad things are the consequences of our own actions, not God playing puppet-master and reaching down from heaven to senselessly kill people because they're not conforming to God's will. I would say that God does have a plan for our lives and when bad things happen we need to trust that he will help us get through the situation and that something good will come out of it, but if my fiance suddenly died, I would not believe that God had had killed him because we weren't meant to be together. Seriously, if I were in Ella's situation and everyone was telling me that, actually, it must not have been God's will for me to marry this man - I would lose trust in God. Also, the fact that everyone talked about God's will all the time meant that they never seemed to voice any opinions of their own. No one ever consoled Ella on her loss, they just staunchly told her that it was God's will and she would get over Aden's loss in time. And don't even get me started on the superstitious "Things come in threes" aspect of the story. I don't know why the author used this concept as it didn't seem fitting with the Amish belief system. It displayed a lack of trust in God, in my opinion. Everyone was scared constantly that they would be the next death. God does not want his people to live in fear of when he will next strike someone down. So, I'm sorry to those who did like the pattern of threes in this book, but I really struggled with the "theology" of God put across.

On a lesser note, Eicher switched between actual German and what appeared to be German written as it would be pronounced by the characters' accents throughout this book. As someone who reads a lot of Amish fiction and speaks German, this bugged me. I have to assume that "Da Huh" was "Der Herr"? And so on. But then later in the book he had a character speak an entire sentence in regular German, so I'm not sure why he chose so spell some words in this weird phonetic manner. If you don't speak German this probably won't spoil your reading experience, but as I knew what the characters were actually saying it bugged me.

I really do want to rate this book higher, but I have to admit that if I hadn't bought this book for my book club discussion I probably wouldn't have finished it. Now that I have finished it, I am intrigued to see how Ella's life turns out, but I won't be rushing to buy the next book. I'd borrow it if it was in the library or if a friend leant it to me, though. Ultimately, I finished this book, but I had to make myself pick it up and read it, rather than turning to something more interesting. I think the story of a young Amish woman recovering from the death of her beloved could have great potential, but the characters weren't engaging enough, the story focused on a lot of unnecessary events that lead nowhere, and it ended up becoming a story about a hateful God who made his people superstitious and fearful. If this book had been about how Ella's trust in God had brought her through her period of sadness then maybe I would have enjoyed it more, but this was not the case. The start of this book really did have some potential and I wish Eicher had continued to focus on Ella's emotions more as I did feel emotionally invested in the story for a time.

Others have really enjoyed this book, so check out their reviews as well. This definitely seems like a marmite book - you either love it or hate it. I was somewhere in between to begin with, but ultimately this is one of those books that could have made it to the "okay" rating but ultimately was just a bit disappointing. It gets 4/10 from me.

Friday, 23 March 2012

A Sentimental Journey - Laurence Sterne

READ: MARCH 05 - 06, 2012
RATING: 4 OUT OF 10
REASON: REQUIRED READING FOR ENGLISH LIT. CLASS

A Sentimental Journey is a novel without a plot, a journey without a destination. It records the adventures of the amiable Parson Yorick, as he sets off on his travels through France and Italy, relishing his encounters with all manner of men and women-particularly the pretty ones. Sterne's tale rapidly moves away from the narrative of travel to become a series of dramatic sketches, ironic incidents, philosophical musings, reminiscences, and anecdotes; sharp wit is mixed with gaiety, irony with tender feeling. With A Sentimental Journey, as well as his masterpiece, Tristram Shandy, Sterne forged a truly original style and established himself as the first of the stream-of-consciousness writers. 

This is probably my first dud of 2012. This short, unfinished novel had a few scenes in it that grabbed my attention but was otherwise rather uninspiring. Sometimes I just had absolutely no idea what was going on in this book, whereas at other points the story had some real potential and looked like it was going somewhere - and then it would jump to something else entirely and that thread of the story would be lost. 

According to my lecturer, this book had a lot of literary illusions to other travelogues, novels and classical literature. I'm probably missing a lot of these references, but it seems that perhaps without this prior knowledge there isn't a lot to appreciate about the actual story? Yorick gets into some mildly amusing situations and there are some moments of irony that can't be missed by any readers, but otherwise this is just the unfinished tale of a man's travels across France and into Italy. It was mostly readable (although there were some times that I had to go back and reread chapters as the sequence of events was difficult to understand) a but I didn't find the story or the protagonist terribly compelling. I think that's the problem - there is no real plot and the author is trying to do something in terms of literary criticism, rather than focusing on telling a story. Perhaps I'll appreciate this book more after my tutorial, but I just don't think this is for me.

Monday, 24 October 2011

The Journey - Wanda E. Brunstetter

GENRE: AMISH
PUBLISHER: BARBOUR PUBLISHING
PUBLICATION DATE: APRIL 1, 2011
RATING: 4 OUT OF 10 


When the chance to work as a carpenter in an Amish community in Kentucky arises, Titus Fisher jumps at the opportunity. Always in the shadow of his perfect twin brother, Timothy, and watched like a little child by his mother, Titus feels it’s time to find where he belongs in the world. And since this offer follows his girlfriend Phoebe’s announcement that she still isn’t ready to join the Amish church, Titus feels that perhaps it would do him some good to be away from the ties he has back home in Pennsylvania. Soon he’s settling into the rhythms of life in Kentucky, despite the dilapidated trailer he lives in and his lack of a buggy, and he strikes up a good friendship with the Yoder family, who are employing him to work in their carpentry shop. But it takes him longer to warm up to Suzanne Yoder, an unconventional young woman who prefers being in the outdoors and woodwork to cooking and sewing. But Suzanne looks just like Phoebe, and Titus can’t help but look of Suzanne and remember how Phoebe broke his heart when she went to explore the English world. Will Titus’s memories of Phoebe put a rift between him and Suzanne, or will he learn to let go of the past and discover what God has planned for him in Kentucky?

I will advise that while I tried to start this book with an open mind, I’ve never been a big fan of Wanda Brunstetter. While she’s incredibly popular in the Amish genre, which contains many of my favourite books, I’ve yet to figure out what is so appealing about her books. While many of them contain standard romance plots, I often find her writing stilted and her characters lacking in personality. Despite this, I determined to give her works another try with The Journey, which many of my friends have praised. The plot of this novel, while being fairly predictable, did sound like it had promise, particularly with Suzanne being such an unusual character for an Amish novel.

Unfortunately I found it very difficult to enjoy this book. As with previous Brunstetter novels (On Her Own, Plain and Fancy and Kelly’s Chance, to name those that I’ve read) I found the dialogue very stilted and fake-sounding, as were the internal thoughts of many of the characters. This was particularly jarring as the majority of The Journey is dialogue. I would say that at least 80% of this book was dialogue, and while normally I love conversation-driven novels, there was barely any description at all. Books in the Amish genre really need descriptions of the scenery and day-to-day life to make them seem authentic. Sadly, The Journey was very lacking in this department and could really have been set anywhere, if for the occasionally Pennsylvanian Dutch word and mention of a buggy. The Penn Dutch speech was pretty irritating in that whenever a character said anything in Dietsch, another character would then repeat the same sentence back almost word for word so that the reader would understand what the word meant. This sounded incredibly fake, and happened too often for me not to notice.

The plot jumped around too much for my liking, leaping back and forth between Titus in Kentucky and his family back home in Pennsylvania, and occasionally over to Phoebe in California. It seemed really unnecessary to include Phoebe’s sections as they really didn’t add much to the plot, other than to show that she wasn’t enjoying herself in the English world. The scenes in Pennsylvania were much the same, and seemed to repeat a lot of what had happened to Titus in Kentucky as word of his new life spread to all of her relatives. More often than not, these sections ended up detracting from the plot rather than adding to it.

There were a lot of dramatic events in this book, far too many than is realistic. On several occasions characters are nearly run off the road in their buggies - by a motorbike, a horse and wild dogs - and if these events had been connected I wouldn't have minded, but they weren't! These three events were never given any sort of plausible explanation that linked to the plot, and seemed mainly to function to bring Titus and Suzanne closer together in the aftermath of their experience. The first two events I shrugged off, but I’ll admit that I nearly laughed out loud at the appearance of the feral dogs. There's also a situation surrounding some stolen money which is cleared up far too quickly and easily to be at all believable, and then is never mentioned again by any of the characters. It felt like the author kept trying to insert some sort of mystery into the book but then resolved the situations too fast to actually make the book mysterious. And don't even get me started on all the deaths and tragedies that occurred with this family – is it really possible for one family to suffer so many traumas? Some of them seemed quite unnecessary, and the way that the characters dealt with them seemed rather offensive to anyone who has lost a relative or a child.

I have a few minor complaints about this book which, coupled with my issues with the dialogue, plot-jumping and unrealistic nature of some of the events in this book, ended up taking away from what could have been a fairly enjoyable reading experience. Firstly, The Journey apparently follows on from another series of books as numerous references are made to Zach having being kidnapped as a child. Yet for new readers, this situation isn’t explained very well and left me feeling very confused. There’s nothing in the synopsis to suggest that this series follows another one, so new readers beware of this. I’d also like to caution that while this book is marketed as Christian fiction, the spiritual aspect is very minor. The characters only ever talked to God when they were in dire need of help, but otherwise never mentioned Him, which is particularly unsettling for a novel about the Amish where God is normally central to their community and way of life. There’s a semi-conversion scene towards the end of the novel, which is one of my pet hates in Christian fiction because it is so rarely done in a tactful and satisfying manner.

While I did not enjoy this novel, I have read several glowing reviews of it and would encourage potential readers to read those before making a final decision on whether to read The Journey. As much as I hate to write a critical review, this is my honest opinion and I think it necessary to share my views on a book from one of my favourite genres. I’ve read many wonderful new books from this genre that have released this year, and The Journey just doesn’t measure up to novels from newcomers like Kelly Long, Barbara Cameron or Ruth Reid. On a more positive note, fans of Brunstetter will probably enjoy this book as it’s much the same as her earlier novels, but this also means that readers who dislike her work will probably have the same reaction as I did.

Review title provided courtesy of Barbour Publishing.