Review: Lady in Waiting by Susan Meissner

Apologies for the lack of review on Monday; I had an essay due at noon and updating my blog was unfortunately neglected. 

Love is a choice you make every day.
Content in her comfortable marriage of twenty-two years, Jane Lindsay had never expected to watch her husband,  rad, pack his belongings and walk out the door of their Manhattan home. But when it happens, she feels powerless to stop him and the course of events that follow Brad’s departure.

Jane finds an old ring in a box of relics from a British jumble sale and discovers a Latin inscription in the band along with just one recognizable word: Jane. Feeling an instant connection to the mysterious ring bearing her namesake, Jane begins a journey to learn more about the ring—and perhaps about herself.

In the sixteenth-century, Lucy Day becomes the dressmaker to Lady Jane Grey, an innocent young woman whose fate seems to be controlled by a dangerous political and religious climate, one threatening to deny her true love and pursuit of her own interests.

As the stories of both Janes dovetail through the journey of one ring, it becomes clear that each woman has far more infl uence over her life than she once imagined. It all comes down to the choices each makes despite the realities they face. (Waterbrook Press, September 2010)

RATING: 3.5 out of 5 (Good)

I chose to listen to this novel on audiobook based on my love of dual-time narratives and how much I'd enjoyed The Shape of Mercy by the same author. Perhaps I would have enjoyed this book more, had I not read The Shape of Mercy, but I'm afraid I couldn't help but compare the two novels. My biggest issue is simply that the modern-day narrative in Lady in Waiting is never directly related to the historical narrative. While the modern protagonist in Meissner's other novel actually connected with the historical protagonist through reading her diaries, Jane doesn't find out who owned the ring until about three-quarters of the way through the book in Lady in Waiting. I think this is what bugged me most about this book. While the reader knows so much about Lucy and Lady Jane Grey, modern-day Jane knows very little about the owner of the ring, even towards the end of the story.

I found myself preferring the historical side of the narrative in this book, if only for the fact that it progressed a lot faster than the modern story. At times it really felt like modern Jane wasn't achieving anything in the early sections of the story, just sitting around and brooding about her situation. Thus, the story of Lucy and Jane was much more appealing initially. It wasn't really until towards the end of the story when Jane decides to take control of her life and make an effort in her marriage that I really felt connected to the growth she had made as a character. 

It's hard to say whether this book was as compelling as other dual-time narratives or The Shape of Mercy since I listened to it on audiobook while cooking and cleaning, so it wasn't the sort of situation where I felt I could put it down and read another book if I wasn't enjoying it. I tend to follow through with an audiobook, and ultimately, I'm glad I did so with Lady in Waiting. It might have taken a while for the contemporary story to get interesting, and it was hard to care about both Janes equally, since their individual stories were told in such large chunks that I was liable to forget about the other character for a while. I do wish that their stories were more connected, and that Jane had discovered more about the ring earlier in the story and had more growth of character at an earlier stage. But despite this, Lady in Waiting was still an interesting story, and I liked the lessons the reader could learn from both of the protagonists' lives. Perhaps I was just getting stressed out with the cartons of chopped tomatoes that refused to open this morning while I finished this audiobook, but I felt that the letters at the end of the story were a bit superfluous. I know they were intended to show how the ring had been forgotten for so long, but I'm not sure if they were entirely necessary. Despite this, I'd still give the book 3.5* and will be looking out for more Meissner novels. 

Book Review: Family Blessings by Anna Schmidt

Her four stepchildren are thrilled when they learn an ice cream shop will be opening in their small Amish community. But widow Pleasant Obermeier isn't so pleased. Spending time with handsome shop owner Jeremiah Troyer is too much for a woman who's only ever been wounded by love. And now he wants to use her baking skills in his shop? Out of the question A harsh childhood left Jeremiah convinced that family life wasn't for him. Yet something about the Obermeiers moves his heart. If he can win Pleasant's trust and learn to trust himself, then he may gain the ultimate blessing--a lifetime of love. (Love Inspired, October 2011)

RATING: 3 out of 5 (Above Average)

This was a nice, easy read, but I didn't find it quite as compelling as the first book in the series. Part of my problem might just have been that I finished Love Comes to Paradise by Mary Ellis--which I absolutely adored--right before I started this book, and nothing really would have lived up to Love Comes to Paradise. I liked the unique details in the story, such as Jeremiah's ice-cream shop and the historical context of the depression and how it affected the Amish community. It was also interesting to find a book that acknowledged that abusive relationships can exist among Amish communities, even if it was sad that the community knew how Merle was treating his family and never had intervened. But ultimately, the romance itself wasn't as engaging as others I've come across in the Love Inspired Historical line, and I felt that the final conflict just stretched the story out rather than adding to it. I have enjoyed reading the Amish Brides of Celery Fields series and would quite like to find out what happens to Greta and Lydia, even if Pleasant's story wasn't as interesting as Hannah's. Ultimately, this wasn't the sort of book that gripped me, making it very easy to put down, but it was still a relaxing read and a solid addition to the LIH line.

Review: The Dilemma of Charlotte Farrow by Olivia Newport

Revell, January 2013.

RATING: 4 out of 5 stars (Very Good)

Housemaid Charlotte Farrow has managed to hide the existence of her child from the Banning household and their staff, mainly due to the help of Lucy, the Banning’s daughter. But now Lucy has left home to travel with her husband and a family emergency has forced Charlotte’s childminder to return her son to her at no advance notice. With no idea how to hide Henry from the other staff in the Prairie Avenue house, Charlotte allows them to come to the conclusion that the child was abandoned in the garden because the mother knew of Lucy’s charitable work. Charlotte struggles to keep up this facade as the Banning family decides what to do with the child in Lucy’s absence. But soon her infant son’s presence in the house isn’t Charlotte’s only problem, and the reappearance of Henry’s father forces Charlotte to reassess her present situation and make some hard decisions about her son’s future. Will Archie, a fellow servant, and his political connections be a help or a hindrance to Charlotte’s situation? Can she allow herself the opportunity to fall in love while she faces so many pressing dilemmas?

I’d like to start my review with an amusing story about my reading experience of The Dilemma of Charlotte Farrow. It appears that my Kindle edition of this book is glitched, as I left the book at the 50% mark last night, under the impression that the book still had a way to go even if the chapter I was reading at the time seemed to be wrapping up quite a few things. I was honestly intrigued about where the novel was going to go from there, as so much had already taken place. Today I picked my Kindle up again, read a couple of pages and found myself at the Acknowledgements and Author’s Note! Evidently, something went wrong in the conversion of this book and 47% of it is blank. I basically read an entire novel in one afternoon! I believe that’s a credit to Olivia Newport, as this book was obviously so engaging that I didn't realise quite how much of it I read in one sitting.

I’ve been eagerly anticipating this book since I read the first book in the Avenue of Dreams series, The Pursuit of Lucy Banning, back in April 2012. The only change in my reading experience between these two books is that I discovered Downton Abbey a couple of months ago. My husband and I devoured the first two seasons in a couple of weeks while studying for our end of semester exams, and I can tell you, these books are a Downton Abbey addict’s dream. Although this series is set in Chicago towards the end of the nineteenth century, there’s a similar exploration of relationships between servants and masters, and the two separate worlds that they live in. Having studied a fair amount about the position of servants in Victorian Britain while at university and watched Downton Abbey, I find the topic fascinating, and particularly liked Olivia’s portrayal of the relationships between the below-stairs staff, especially the cook, butler and Sarah, the latter of whom I’m hoping will reappear in another book. 

Although the romance between Charlotte and Archie isn’t as central as those in other historical novels from this period, I appreciated the insights into Archie’s interest in the changing face of politics and the treatment of workers. It was interesting to hear about new opportunities opening up for working class people, jobs that would take them outside the service lifestyle and give them more independence, such as factory and clerical work. Although I’m not a scholar of this particular time period in United States history, it appears that Olivia has researched this topic quite thoroughly, as her depictions of political events and the staff’s treatment of Archie’s views seemed realistic.

As for Charlotte and Henry, I really felt for her struggle to care for her son without bringing her true relationship with him to light. Regardless of whether her son was born inside or out of wedlock, it was impossible for a woman with a child to hold down a steady job in this period, particularly one in service. Charlotte truly does have a dilemma: if she reveals her relationship to Henry, she’ll lose her job and have no way to provide for him, but if she lets another servant care for him, she can continue to earn money and hopefully eventually be able to find another childminder for her son. Charlotte has to temporarily let go of her son in order to build a life for him. I actually got a little emotional reading about her struggle, and how she forced herself not to go to her son even when she desperately wanted to, for fear of giving herself away. When she eventually makes an incredibly difficult decision that she believes is in Henry’s best interests, I may have shed a tear or two.

The storyline about Henry’s father, which propels Charlotte into acting to protect Henry more than ever, wasn’t quite what I’d expected. But when I thought about it, I really can’t remember what we discovered about Charlotte in the previous book. She was a bit of a mystery in the first novel in the series, and the revelations in The Dilemma of Charlotte Farrow make her all the more an intriguing character. I don’t want to give too much away, but there are several scenes towards the end of the novel that made it very hard to put the book down. I was only a little disappointed with the outcome of the situation, finding it a little bit too convenient. I don’t want to give too much away, but I will say that I do wish that some Christian historical novels would delve into the topic of divorce, rather than conveniently getting rid of a husband through another method. There are times, particularly when it comes to abusive relationships, where divorce is the only possible outcome, but I’ve rarely seem it explored in Christian fiction. I know that it’s not an ideal solution to a problem, but if more books explored the topic, perhaps it would be easier for modern women to openly discuss their marital problems. Furthermore, discussing divorce within different historical contexts would make for a rather interesting novel. I did appreciate that Olivia touched on it a little in this novel, and allowed her characters to discuss it as an option.

My only other complaint about this book would be that the ending felt a little rushed. Initially, I thought this was because when I originally finished the book, I didn’t realise how close I was to the end of the book due to my glitched Kindle conversion. But I did go back and reread the last chapter and it seemed like an awful lot was wrapped up and concluded. I did wish we’d been allowed to see a bit more of Charlotte and Henry’s new life, but hopefully that’ll be touched on in the next book in the series. While I have a feeling that the third book will explore the life of Sarah, another servant in the Banning household, I would also like to see more of Emmaline, Lucy’s aunt.

Although The Dilemma of Charlotte Farrow didn’t capture me quite as much as the previous book in the Avenue of Dreams series, it still had a thoroughly compelling storyline.  Fans of the series will be pleased to encounter a similar mixture of romance, suspense and upstairs-downstairs relationships, all within a well-researched historical context. The 1893 Chicago Exposition makes a fascinating backdrop for this series and I can’t wait to see what Olivia Newport comes up with next.

Review title provided by Revell.

Review: The Tutor's Daughter by Julie Klassen

Bethany House, January 2013.
RATING: 4 out of 5 stars (Very Good)

Emma Smallwood has grown up in her father’s academy for boys, and has witnessed the school’s gradual descent into failure following her mother’s death. Determined to help her father get back on his feet, Emma takes matters into her own hands and writes to the parents of one of her favourite former pupils, hoping that they’ll offer to send their two youngest sons to her father’s school. She’s surprised when the recipient of the letter, Sir Giles Weston, responds with an offer for her and her father to move to Ebbington Manor in Cornwall to tutor his youngest sons. Emma doesn’t expect her father to accept the offer, but he decides that a change of scenery might be good for them. 

Emma is secretly hoping for the chance to meet Philip Weston again, having long held on to fond memories of their time together at the academy. She’s not so keen to run into his older brother, Henry, given the pranks he used to play on her as a child. But Henry has matured far beyond Emma’s wildest dreams, and she’s surprised to find herself far more interested in the older Weston brother, especially given her prior feelings towards Philip. 

Life at Ebbington Manor definitely isn’t as straight-forward as Emma anticipated. The younger Weston brothers talk of a ghost, and Emma would normally dismiss such talk, if it weren’t for the mysterious noises she hears at night and the distinct feeling that someone visits her room while she’s sleeping. The presence of Lady Weston’s ward, Lizzie, is unexplained and the girl appears to be hiding something. Even more mysterious are Henry’s attempts to build a warning tower to bring aid to the ships that are often wrecked during storms along the Cornwall coast, and the reaction this brings from local wreckers, some of whom seem too involved in the Weston family’s affairs. 

Can all of these circumstances create a suitable environment for Emma and her father to recover from her mother’s death, and possibly form new relationships? Or is their visit to Cornwall far less simple than they anticipated?

Not being quite as obsessed with Jane Austen as some women, I never felt the desire to pick up a Regency romance until my book group chose to read Julie Klassen’s The Maid of Fairbourne Hall back in March. After devouring the novel in a matter of days, I immediately realised my mistake in avoiding her novels for so long, and have been eagerly awaiting the publication of The Tutor’s Daughter ever since. Although I didn’t love this novel quite as much as Julie’s previous book, I still immensely enjoyed it, and may have stayed up long past midnight to finish reading it.

What I appreciated most about The Tutor’s Daughter was Julie’s ability to make all of the characters come alive, regardless of how small a part they played in the novel. I noticed this when I read The Maid of Fairbourne Hall, and was pleased to discover that she continued her manner of developing characters in the lives of the Weston family and their friends. Although a few characters may initially seem a little villainous, their motivations were revealed as the novel developed. I particularly appreciated the way that Henry’s feelings about his stepmother were put across and this made me sympathise with him all the more. Even the younger Weston brothers are given distinct personalities, which makes the revelation towards the end of the novel all the more surprising. 

I don’t want to go too far into the details of the plot, but I will say that the plot twists weren’t easily anticipated. Sometimes the suspense in a romance novel isn’t as dramatic as it could be, because you know the hero and heroine are going to get out of their perilous situation and be married by the end of the novel, so you don’t have to worry too much about them. This wasn’t so much the case with The Tutor’s Daughter, and even though I knew that the hero and heroine would somehow find a way to be together, there were still several points in the novel where my heart was pounding and I was worried that they wouldn’t live to see the next morning. It makes me sound rather silly, as if I’d forgotten how romance novels work, but I’ll defer responsibility to Julie’s wonderful writing. 

I’d also like to credit Julie for making Cornwall come alive and inspiring me to put it on my “Must Visit” list. Since I’m one of the few readers of this novel who actually lives within driving distance of Cornwall, I probably should visit it someday. Interesting unintentionally, this is the second novel I’ve read in the last few weeks that was set in Cornwall, and both books made the location seem far more fascinating than any school history lesson or friend’s holiday stories have in the past. As always, Julie includes her snippets from history books or local newspapers at the start of the chapter, detailing Cornwall’s history and facts about shipwrecks and tutoring in the period. These details are also scattered throughout the novel as Emma investigates Cornwall’s history. The history might not be as detailed as other historical novels, but there’s enough to get a feel of being in the fictional Ebbington Manor in Cornwall in the early nineteenth century.

The one factor that holds me back from giving this novel a higher rating is actually Emma herself. As fascinating at the details about Cornwall and shipwrecks were, along with the development of the minor characters in the novel and their motivations, I didn’t actually feel like I got to know Emma all that well. She wasn’t a terribly distinct character, compared to some romantic heroines, so it was very easy to imagine yourself in her place and feel as if you were visiting Ebbington Manor and trying to figure out the family’s secrets. I think this is good, to a certain extent. But it wasn’t until close to the end of the novel when Emma began to make some changes in her life that I realised that this was the first real sign of character development that I’d witnessed. Emma does have some flaws, but I felt like they were abandoned a little in the development of the main plot. It was very easy to place myself in Emma’s shoes and see Ebbington Manor through her eyes, but I didn’t relate to many of her conflicts or flaws. At times, I actually felt like it was easier to relate to and sympathise with Henry, given his many relational and moral conflicts.

Likewise, as well as I felt that Emma’s spiritual conflict was handled, it wasn’t the most inspiring conflict. I seem to have come across a spate of novels recently where the main character’s spiritual journey simply focuses on them reclaiming their lost faith. I did feel that Emma’s journey was the most realistic presentation out of those I’ve come across lately, so I’ll credit Julie with that, but I do wish that authors would be a little bit more creative when it comes to the spiritual side of their novels.

Although I wasn’t quite as enthralled with The Tutor’s Daughter as I was with The Maid of Fairbourne Hall, I will freely admit that my issues with the novel are fairly minor. Julie’s long-standing fans are sure to be pleased with this latest offering, and any Christian historical romance fans who have not yet picked up a Julie Klassen novel are definitely missing out. 

Review title provided by Bethany House

Book Review: Accidentally Amish by Olivia Newport

Escape the helter-skelter of the modern culture and join software creator Annie Friesen, hiding at the home of an Amishman. With her high-tech career in jeopardy, Annie runs from fast-paced Colorado Springs—and straight into the hospitality of San Luis Valley’s Amish community. There she meets cabinetmaker Rufus Beiler, and the more time she spends with him, the more attracted she becomes. When Annie finds she shares a common ancestor with Rufus, she feels both cultures colliding within her. But is her love for Rufus strong enough for her to give up the only life she’s ever known? (Barbour, October 2012)

This was Fans of Amish Fiction's January book group choice, over on GoodReads.

RATING: 4 out of 5 stars (Very Good)

I think that if it weren't for the historical storyline, I probably would only give this book 3.5*. While the contemporary storyline was a good mixture of Amish, romance and suspense, the writing and characters weren't as strong as in Olivia's first novel, The Pursuit of Lucy Banning. It does seem as if historical fiction is where she's stronger, at least for now. 

That said, there were plenty of elements that I appreciated about this story. This is the second series I've read that's set among the newer Amish settlements in Colorado, and it's definitely interesting to read about how different Amish groups live depending on their regions and farming opportunities. Olivia lives in Colorado, and she was able to evoke the feeling of the small towns and Amish communities in her area. 

The city that Annie worked in never felt quite as real, and neither did her job. Mainly, I believe this is because my husband is a computer programmer and the descriptions of Annie's jobs seemed incredibly vague given my knowledge of the subject. But for those who don't deal with software engineering on a regular basis, the descriptions of her work might not be so vague. 

As for the romance, it was slow moving, but that's because this is the first book in a series. Given that there are so many Amish romances where an English character's conversion to the faith feels rushed, I appreciated that the book didn't end with everything neatly tidied up. As confident as Annie was about making changes to her life, I think she still has a long way to go and I'm interested in reading more about her. As strange as it might seem for a computer programmer to become interested in the Amish lifestyle, I got the impression that Annie got far more involved in the business world than she intended and no longer enjoyed her job, so the changes she made at the end of the novel made sense.

I also liked the sub-plot about Rufus's sister, Ruth, and I hope that the next novel delves more into the family dynamics and Ruth's attempts to reconcile with her family while still becoming a nurse. I felt like her story was a realistic portrayal of someone who left the faith before baptism for educational reasons, and I appreciated this change from the usual stories about people who leave to "explore the world". Ruth kept much of her faith while studying nursing.

The storyline about the construction company wasn't really resolved, which was a bit disappointing, but I'd be interested to see how that panned out, even if I preferred the other storylines. I had mixed feelings about this sub-plot as I wasn't sure what kind of message it was giving about justice, retaliation and turning the other cheek. I'm intrigued to see where it goes.

Ultimately, I liked the contemporary storyline, but at times the historical plot caught my attention more. I haven't read many stories about Amish settlers in the eighteenth century, so the story of Annie and Rufus's ancestors was fascinating. It really captured just how difficult life was for new settlers, if they made it through the long journey. Jakob's struggle between sticking to his faith and wanting to remarry was very heartfelt, and although the novel focused far more on the contemporary storyline, I still became attached to the historical characters. I hope that Olivia continues their storyline, or at least focuses on some other ancestors, in the next book.

I ended up writing a lot more about this book than planned, so obviously it touched me more than I realised. Ultimately, I didn't enjoy this book as much as The Pursuit of Lucy Banning but it was a compelling and original story. For those who like dual-time narratives of a lighter fare, this would definitely suit. I might not have connected with Annie as much as some Amish heroines, but this novel definitely brings something a little different to the genre. I'll be looking out for the second book in the series later this year.

Skip Rock Shallows - Jan Watson

GENRE: HISTORICAL ROMANCE

PUBLISHER: TYNDALE

PUBLICATION DATE: JUNE 01, 2012

RATING: 7 OUT OF 10 – GOOD

PROS: Heroine is a doctor in a period when this was uncommon; easy and relaxing read; engaging secondary characters and setting

CONS: Took a while to get interested in the story due to slow pace; story often skips large periods of time; romance wasn’t convincing

Despite her fiancé’s disapproval, Doctor Lilly Corbett decides to spend the first six months after graduating from medical school in Boston interning at a rural coal camp in Skip Rock, Kentucky. While her beau, Paul Hamilton, can’t understand why anyone would want to leave the city where he spent most of his life, the part of Kentucky that Lilly grew up in wasn’t all that different from Skip Rock. But no matter how similar an upbringing she had, nothing can prepare her for the reception that awaits her in Skip Rock. The miners believe that a woman in the mines is bad luck, and even the women are reticent to accept her as a trained medical professional. The doctor she was meant to be training with has died just days before she arrived, and to begin with, Lilly can’t wait for her internship to be over. But as she spends more time caring for the people of Skip Rock – setting broken limbs, birthing babies, trekking across rivers for house calls and even stitching up a cow – Lilly becomes accepted as a member of the community, especially when it is revealed that she has relatives there. As she develops a fledging relationship with the mysterious Joe Repp, who bears a striking resemblance to a boy Lilly grew up with, and makes friends with many of the inhabitants of Skip Rock, Lilly can’t help but want to stay in this town and help these people. When she’s offered the chance to remain in Skip Rock after her internship finishes, Lilly has a difficult choice to make – does she do the sensible thing and return to Boston to marry the reliable Paul, or take her chances on Skip Rock and a man with a fake name who is in the town under false pretences?

Considering how many historical romances are released by the CBA every year, you’d think that I’d get bored of this genre, or that authors would run out of original ideas. I’ll admit, every now and then I read a book that seems just a little bit too similar to something I’ve already read, but novels like Skip Rock Shallows prove that authors are not running out of steam when it comes to making their characters unique. Yes, a female doctor has been done before by Mary Connealy, but Doctor in Petticoats and Skip Rock Shallows couldn’t be more different. If Skip Rock Shallows reminded me of anything in particular, it was the writing of Janette Oke. The plot was very slow moving, and not as structured as more recent historical novels, often moving from one episode to another rather than having a particular arc or direction it was heading in. While this isn’t a style of writing that I’m particularly fond of – I prefer more structure to my novels – it did make for an easy, relaxing read. If Oke’s continued popularity has anything to suggest, a lot of readers will be pleased that Skip Rock Shallows contains some of the elements of the older novels in this genre. While I wasn’t aware that Skip Rock Shallows was part of a series until I started reading, I didn’t have any trouble getting to know the characters, and necessary details from other books are summarised without detracting from the current story. I don’t think that you have to read the other Copper Brown novels before starting Skip Rock Shallows, but I’m definitely intrigued to see whether they have the same relaxed pace as this book.

The pacing of the Skip Rock Shallows did make it hard to for me to really become involved in the story to start with. This was an incredibly easy novel to read, but it wasn’t the sort that grabbed my attention within the first few chapters. Initially, it was very easy to put down, and the story didn’t really becoming gripping towards the end of the novel when a mining accident occurred. That said, I did enjoy reading about Lilly’s house calls and the people she met in Skip Rock. All of the secondary characters were engaging and none of them felt like cardboard cut-outs, as can often happen when an author introduces a lot of background characters. I also enjoyed reading about the setting of Skip Rock, and while I found it difficult to imagine the mines, Lilly’s explorations of the wildlife were much more visual. Skip Rock definitely felt real to me by the time I finished this book

Sometimes I found it hard to grasp how Lilly’s character was developing, mainly because the story would skip several weeks or months at a time. While the reader was always told how long had passed since the last chapter, I wasn’t particularly fond of this style of storytelling. It often meant that we were told how friendships had progressed during that time and I sometimes felt that I was missing out on witnessing certain developments. Lucy’s relationship with Joe was similarly treated. They engaged in a couple of conversations – even Lucy and Paul spoke more over the course of the novel, and he spent the majority of it in Boston – and then a few chapters later were declaring their love for each other. (This is a romance novel, so I’m not spoiling the plot. If you don’t know that Lucy and Joe are going to fall for each other from reading the synopsis, you’re probably not too familiar with this genre). I liked Lucy and I liked Joe, but I just wasn’t convinced by the progression of their relationship. There were hints that they’d known each other as children and that meeting again made them fall in love, but I just didn’t buy it. It was far too much “love at first sight” for my liking. I’m afraid the way the romantic aspect of this book was approached was its biggest downfall for me. I wished that Lilly and Joe had spent more time together and really convinced me of their love, but ultimately, I didn’t find their professions of love genuine and this stopped me from really caring about whether they’d get together by the end of the book.  

If you’re looking for a book that will grab you from the first page and keep you gripped with suspense and anticipation, Skip Rock Shallows definitely isn’t the one for you. Rather, I’d say this is a good book to read if you know you can’t commit to reading more than a few chapters at the time. It’s easy to put down and later reimmerse yourself in Lilly’s doctoring and explorations of Skip Rock. Lilly’s profession, as well as some of the more unusual characters in the town, were what made this novel really stand out for me, and why I’d recommend it in spite of my personal opinions on the writing style. While I was disappointed in how rushed Lilly and Joe’s relationship was, Skip Rock Shallows is still worth reading for the mining and doctoring details and the secondary characters. 

Review title provided by Tyndale.

Love in Disguise - Carol Cox

GENRE: HISTORICAL ROMANCE
PUBLISHER: BETHANY HOUSE
PUBLICATION DATE: JUNE 01, 2012 
RATING: 9 OUT OF 10 – EXCELLENT

PROS: Plot is entirely original and unlike anything already present in the genre; perfect blend of romance and mystery

CONS: Spiritual sections felt disjointed and didn’t add much to the story

When Ellie Moore finds herself alone and jobless in Chicago after spending her whole life working for the theatre, she has no idea where to look for work. All she has is a trunk full of costumes and her skill at putting together an outfit. When she overhears two men discussing their need for a new female operative for their detective agency, Ellie can’t help but wonder whether her knowledge of costumes and disguises might be able to help her gain such a position. After much convincing and a new persona as the elderly Aunt Livinia, Ellie makes her way to the small town of Pickford, Arizona, where she is to meet an experienced detective who is to play the part of her niece, and help her catch the thieves who are stealing silver from the nearby mines. But along the way, Ellie receives news that her partner is unable to make it to Pickford. Desperate for work, Ellie decides to continue on to Arizona and solve this mystery on her own. But as endearing as Livinia is, she isn’t able to make the right people talk. Ellie really needs someone to play the part of Jessie, the attractive and flirtatious niece of Livinia. She couldn’t play both parts...could she? With all the effort of keeping track of her two personas, Ellie finds herself becoming more confused about who she really is, especially when Jessie catches the eye of handsome mine-owner, Steven Pierce. Between balancing the two characters of Livinia and Jessie and attempting to catch the silver thieves, Ellie may just have forgotten to guard her heart against potential suitors...

The common thread that I’ve spotted in reviews of this book is that it is a lot of fun to read, and I completely agree with that sentiment. The premise of Ellie switching between two different personas in order to solve a crime not only made for an original and compelling story, but also a very entertaining one. It was the premise of the novel that drew me to Love in Disguise in the first place and it definitely lived up to my expectations. While there’s a mystery running through the entire book and a sweet, if slow to develop, romance between Ellie and Steven, it was Ellie’s character-switching that kept me reading. Could she really keep her ruse up? Would she ever forget which character she was playing? Would anyone figure out that neither Livinia nor Jessie existed? Not only did this situation create a fair amount of suspense, it was also pretty amusing to read about Ellie’s attempts to play two entirely different characters. I found myself grinning and giggling at several points throughout the story, and it was very sad to say goodbye to these characters – not just Ellie, but also Livinia and Jessie, who almost seemed as real as Ellie. 

Unlike some historical novels that contain a hint of mystery, I didn’t solve the mystery before the protagonist. But I wasn’t at all disappointed at this. Ultimately, I just wanted Ellie to catch the thieves and prove that she could be a good detective; I didn’t really mind who ended up being cast in the role of the bad guys! But although the mystery wasn’t always at the forefront of my mind while I was reading this novel, I did appreciate the climatic ending. It was nice to see Ellie using the wits that she had developed over the course of the story, and a couple of hints that had been dropped earlier in the novel finally made sense and aided the characters as they apprehended the thieves. Fans of romantic suspense and mysteries may be disappointed that Ellie’s attempts to catch the thieves aren’t as developed as they would be in a pure mystery novel, but I felt that Love in Disguise had the perfect blend of history, mystery and romance to keep fans of all three genres entertained.

The romantic element to Love on Disguise wasn’t as central as I thought it would be, considering that the word “love” is in the title, but the slow progression of Ellie and Steven’s relationship seemed appropriate for their situations. Steven was preoccupied with protecting the interests of his mine and Ellie was too wrapped up in being both Livinia and Jessie to consider the possibility of her connection with Steven turning into something more serious. I found Ellie’s reaction when she realised that Steven was falling for Jessie to be very realistic. Her dilemma over whether she was leading Steven on and whether it was fair to continue spending time with him was very heart-felt. Did he really love her, underneath her disguise? Or would he be disappointed once she took off her wig and revealed how different she was from Jessie? Even if Ellie’s situation in this book was entirely fanciful, the “Does he really like me for who I am inside?” issue is one that any woman can relate to.

I came very close to giving this novel full marks: I loved the concept, the characters, the suspense and the romance. But what holds me back from giving Love in Disguise five stars is the spiritual aspect of the novel. While I liked Ellie’s commentary on her church experiences and her reception of the pastor’s sermons, some of the other scenes that were intended the show the development of Ellie’s relationship with Jesus just didn’t flow with the rest of the novel. The one where she devoted her life to Jesus seemed to almost come out of nowhere, and I wished there had been more development on Ellie’s spiritual life. She seemed to have almost no concept of faith at the start of the book, and while there was a smattering of comments on her growing relationship with God over the course of the book, it wasn’t enough to convince me that Ellie had suddenly come to a complete understanding of God’s love for her by the end of the novel. The spiritual sections of the novel were so brief that they could easily have been removed entirely from the novel and not changed the flow of the story. While I do think that the spiritual elements of Love in Disguise could have worked if they had been better integrated into the main storyline, I couldn’t help but wonder if by choosing to write a salvation plot into the story, Carol had missed out on the great possibility for exploring the struggles that a Christian detective faces in having to lie and deceive others as part of their work. That is a story that I’d definitely like to read. 

Although I wasn’t entirely convinced by the spiritual aspects of Love in Disguise, I didn’t find fault with any other aspect of the novel. From start to finish, this book had me hooked and I hated having to put it down for any reason. Not only does Love in Disguise contain the perfect blend of character development, mystery and romance, it’s also entirely original and unlike anything I’ve come across in this genre. And although I appreciated the originality of Love in Disguise, I can’t help but hope that Carol gets the chance to write another novel about a female detective. If she does, you can be certain that I’ll be one of the first to get my hands on it.

Review title provided by Bethany House.

Sixty Acres and a Bride - Regina Jennings

GENRE: HISTORICAL ROMANCE
PUBLISHER: BETHANY HOUSE
PUBLICATION DATE: FEBRUARY 01, 2012
RATING: 7 OUT OF 10 – GOOD

PROS: Unconventional heroine; engaging secondary characters

CONS: Conflict between hero and heroine is fairly weak; awkward pacing, particularly at the start of the novel, which makes it hard to get into the flow of the story

After the tragic death of her husband and father-in-law in a mining accident, Rosa Garner follows her mother-in-law, Louise, to their family home in Texas. Having met and married Mack in Mexico, Rosa isn’t prepared for life in Texas, and the people of Plum Creek aren’t prepared for her foreign clothing or behaviour. But before she can figure out how the locals want her to act, Rosa has to help Louise pay off the taxes on their family home. The task facing the two widows is momentous, and they have little chance of meeting their goal before their home is bought up by their neighbour, who has his sights set on Rosa more so than her home. Their only hope is in Weston Garner, a fellow widower and relative who might just be able to help the women pay their debts. Can Rosa stoop to begging a strange man for help before it’s too late? And can either of them handle the ramifications of the agreement they make?

The biggest compliment that I can give Sixty Acres and a Bride is that it reminded me of Kim Vogel Sawyer’s writing, which makes me hope that Regina has what it takes to someday be as popular as Kim in this genre. Regina’s setting and secondary characters made me feel involved in the story, just as some of Kim’s novels have. But Regina also brings something new to the genre – namely, the character of Rosa, who was a welcome change from the more typical heroines. I honestly struggle to think of a time that I’ve read a Christian romance novel set in this era where the heroine is Mexican. I adored the descriptions of Rosa’s clothes, and if they look anything like the ones pictured on the front cover of this novel then I’m quite envious. However, I can also see why Rosa stuck out so much in Texas, and her initial mishaps were both amusing and touching to read about.

But as with Kim's books, Sixty Acres and a Bride just didn't have that little extra spark that pushed the story up into the "Loved it!" category for me. While my emotions got very riled up at the character of Mr Tillerton and his treatment of Rosa, and the general animosity that met Rosa when she first arrived in Plum Creek (I can’t be the only one who thought of Little House on the Prairie every time the town’s name was mentioned, right?) I also got pretty annoyed with the way that Weston and Rosa could have figured out their difficulties if they’d actually talked to each other! These are two very different sets of emotions to experience when reading a book. The first set is good, and the ability to make a reader get so involved in a story that they start feeling angry on behalf of a character is a talent that I greatly admire. But getting annoyed with the characters because you’re fed up with them continually making a mess of things isn’t so good. I didn’t mind the conflict between Rosa and Weston initially, but after it dragged on I started to get a bit fed up as it could have been resolved so easily. This may be just be a matter of a personal preference, since I’m the kind of person who doesn’t let an issue go undiscussed for more than five minutes. Perhaps those who share Rosa and Weston’s stubbornness will be able to relate to this situation better. 

Aside from the weaknesses in the conflict, my only other issue with Sixty Acres and a Bride was the pacing. It’s hard to describe what bothered me about it, but something just felt a little bit “off” about the pacing and I found it particularly hard to follow the plot at the start of the novel. There were several places where I got confused as to whose thoughts and feelings were being described and I had to backtrack to see whether or not the perspective had changed. After my initial difficulties with this novel I was able to settle into it better and struggled less with the pacing as the story developed, but it was a bit off-putting to begin with. If you’re just about to start this novel, I will say that it’s worth the read, so don’t let any confusions at the beginning of the story put you off. 

As long as it took to get to the conclusion, I was pleased with how everything worked out, and I was sighing with relief when Rosa and Weston finally confronted each other about their feelings. The conclusion was particularly satisfying, and made me hopeful for Regina’s next novel. I’m wondering if she may revisit Molly in the future, as she was a secondary character that I found particularly interesting. Despite her scheming tendencies I did feel quite sorry for her as nothing ever seemed to go her way. And if not Molly, I hope that Regina’s next heroine is just as unconventional as Rosa.

While I do have my personal qualms with the conflict and the pacing of Sixty Acres and a Bride, I’m sure that these are issues that will be smoothed out in subsequent novels. For a debut, Sixty Acres and a Bride definitely shows potential, particularly as Regina brings something new to the genre. As much as I love to read Christian historical fiction, the genre definitely needs to be shook up every now and again, and I hope that Rosa’s story does just that. I also love that the cover of Sixty Acres and a Bride is branching out from some of the more typical covers in this genre. As pretty as some of them are, they do get a little repetitive after a while, and I really felt that this cover reflected Sixty Acres and a Bride as well as Rosa’s character. Hopefully both this novel and its cover are a sign of good things to come from Regina Jennings.

Review title provided by Bethany House.

Short-Straw Bride - Karen Witemeyer

GENRE: HISTORICAL ROMANCE
PUBLISHER: BETHANY HOUSE
PUBLICATION DATE: JUNE 01, 2012 
RATING: 10 OUT OF 10 – NEAR PERFECT

PROS: Original twist on a well-worn storyline; confident and quirky heroine; endearing romance between a newly married couple that contains just a pinch of edginess

CONS: None!

No one has stepped on Archer land in years – no one, that is, except Meredith Hayes. Having stumbled on to forbidden territory in search of her lunch pail as a child, Meredith met the mysterious Travis Archer when he had to rescue her foot from a bear trap. She’s never forgotten that day, and not just because of the limp she was left with following her accident. Travis remained her idealised hero even after she entered womanhood, and when she overhears a plot to burn the Archers off their property, Meredith knows that she has to warn Travis and his brothers. But her good deed isn’t appreciated by her uncle and aunt, who insist that Meredith marry one of the Archers when the fire forces her to remain overnight on their property. To Meredith, the possibility of being forever united with her hero, Travis, is a dream come true. But does Travis view their union in such a positive light? Or is he merely marrying Meredith out of feelings of duty and responsibility? Meredith is determined to make their marriage one worth fighting for, and to convince Travis that picking the short-straw wasn’t a mistake.

I’ve yet to discover a Karen Witemeyer novel that I’ve not loved, but I approached Short-Straw Bride with a little bit of trepidation. Could Karen really keep up her previous standards? Will she run out of original plots? Thankfully, my fears were unfounded and Short-Straw Bride not only met but far exceeded my expectations. I’d have to say that it rivals Head in the Clouds for its place as my favourite of Karen’s novels. Although I think Karen’s books may a slight formula to them – perhaps in the pacing or the number of action scenes – this really wasn’t evident when I was reading Short-Straw Bride. While I could definitely see some similarities to her earlier works, the plot of the novel was entirely original and Meredith was a refreshing new heroine. The romance between Meredith and Travis reminded me of those written by some of my favourite romance writers – Kelly Long and Mary Connealy in particular – and while it was different from some of Karen’s earlier romances, it definitely took her writing in a positive direction.

I love marriage of convenience stories, and you’d think that considering their prevalence in the historical romance genre that authors would eventually run out of ways to twist this plot into something new. While Meredith and Travis’s arrangement – borne out of Meredith spending the night with a man while unchaperoned – is one I’ve come across before in this genre, I loved the spin that Karen put on this story. The concept of the four brothers living on a ranch and barely having any contact with women made Meredith’s presence all the more interesting, especially as all the brothers were jumping at the chance to marry her. The brothers definitely made the story more interesting, especially in the early days of Meredith and Travis’s marriage when neither of them knew how to treat each other. Short-Straw Bride had more to it than just the romance between the hero and heroine. Meredith, an outsider, had a thing or two to teach Travis about the image he was projecting of the Archer brothers and their land, and it was particularly touching to see him breaking down the walls – both physical and emotional – he’d put up to protect his family from the outside world. Each of the brothers had their own personality and I enjoyed seeing how Meredith’s presence on the ranch helped them to understand their own strengths and get the courage to pursue friendships and work arrangements outside the bounds of their property. 

The romance was still a big element in Short-Straw Bride, so there’s no need to worry that secondary characters might encroach on what is an incredibly touching and romantic love story. While I wasn’t always entirely convinced by Meredith’s childhood adoration of Travis and the idea that Travis fell for Meredith as soon as she reappeared on the ranch, their relationship was built on so much more than these initial moments. I enjoyed witnessing them coming from the awkward early days of their marriage into a relationship based on trust and commitment. Meredith’s worries about whether Travis was rejecting her by not sleeping in the same room once they were married were very real and heart-felt, and I could completely understand her pain over this aspect of their relationship. Likewise, Travis being torn over whether he should be a gentleman and court his new wife or pursue the more physical aspects of their relationship was very well presented. A lot of marriage of convenience stories skip over the transition from a chaste romance to a couple engaging in their “marital privileges”, so it was a nice change to see Karen exploring this aspect of a couple’s relationship. The awkwardness over how to discuss such things with your new husband and trying to seek womanly advice on a ranch full of men also created some amusing moments, which made the romance a well-rounded mixture of humour, emotion and a little bit of edginess. The conclusion to the novel and the romance was very satisfying, and while some readers may find themselves blushing a little, I’m sure plenty of married readers will be pleased to see Meredith and Travis endorsing those aspects of marriage that God intended married couples to enjoy. 

Even if I did speed through Short-Straw Bride at a record-breaking pace, I think I’d still struggle to find any faults with it on a slower, second read – which may happen, as this book is definitely worth reading again. It pushed all the right buttons, from the twist on a well-worn plot to the engaging secondary characters to the touching and realistic romance. While Short-Straw Bride is quite different from Karen’s previous novels, it contains many of the trademark elements that readers are familiar with, particularly Meredith, the confident and slightly quirky heroine. Short-Straw Bride will satisfy many historical romance readers, and I imagine that those who have yet to discover Karen Witemeyer will be hunting down her backlist as soon as they turn the final page in this endearing love story. 

Review title provided by Bethany House.

Arms of Love - Kelly Long

GENRE: AMISH/HISTORICAL ROMANCE

PUBLISHER: THOMAS NELSON

PUBLICATION DATE: MAY 3, 2012

RATING: 8 OUT OF 10 – VERY GOOD

PROS: Contains Kelly’s trademark edgy romance; good presentation of PTSD; presence of visions and the Holy Spirit is very encouraging

CONS: Initial introduction to the characters feels rushed; a lot of sad events occur at the start of the novel; spiritual message is a bit overwrought

The American Revolutionary War was a time of a great loss, and not just for those who fought for freedom. Lena Yoder’s father has been imprisoned for refusing to give up his livestock for the war effort, and not soon after this her mother dies in childbirth. Alone with just her younger siblings, the only place Lena can think to turn is to her childhood friend, Adam, whom she had always hoped she would someday marry. But Lena’s mother was fearful of the hold that Adam’s father held over him, and made Adam promise not to marry Lena until he was sure Lena would be safely out from under his father’s influence. Adam cannot tell Lena this, but he does know that he would not make a good husband to Lena at present. Continually wrought by troubling dreams, Adam is permanently unsettled, and wants nothing more than to gain freedom from the memories that haunt him. The only way he can see fit to do this is in bearing arms and fighting for the patriot cause. Lena is appalled at Adam’s desire to fight, and turns for solace and stability in his older brother, Isaac. Adam must reconcile himself with the troubling memories that haunt him and with his own desire for freedom before he can begin to fight to win back the love of Lena.

I’ve been anxiously awaiting Kelly’s next book ever since I finished her contemporary romance, Lilly’s Wedding Quilt. But although Lilly’s Wedding Quilt made my list of favourite novels for 2011, I wasn’t entirely sure what to expect from Arms of Love. While a few authors have attempted Amish historical fiction recently and handled the combination well (Murray Pura, Anna Schmidt, Lori Copeland and Virginia Smith), none of them have gone as far back as the eighteenth century, and I wasn’t entirely sure how a novel about the Amish during the American Revolutionary War would turn out. I didn’t enjoy Arms of Love as much as Kelly’s contemporary romances, but I do think that this book is a good start to her Amish Beginnings series and breaks new ground in Amish fiction.

It took me a while to get into this novel, and I’m not sure if that’s just because I wasn’t in the right frame of mind at the time and was up to my ears in exam revision. The beginning of Arms of Love is incredibly sad, and wracked with numerous tragedies – a father is imprisoned, his wife dies in childbirth and a new widow loses her home. Throwing Adam and Lena’s troubled love into the mix made my initial reading of this book quite depressing, and I kept putting it down so that I could read something lighter. I don’t think that all readers will find this book as sad as I did, and perhaps if I read it at a later date, when I didn’t have so much on my plate, I would enjoy it more. I didn’t really feel like I become properly involved with the story until about halfway through the novel, when the plot pacing really began to pick up and I felt like I’d got to know the characters better. When I first met Adam, Lena and their families there was so much going on that I almost felt like I’d been thrown into the middle of a story that already in progress and that I’d missed some essential details. But by the middle of the book I’d settled into the lives of the eighteenth century Lancaster Amish and felt that I could accurately keep up with their troubles.

Arms of Love isn’t all sadness and tragedy; it contains a good helping of romance and a little bit of humour. One of my favourite scenes is probably one around the middle of the novel, in which Adam tells his brother that he won’t have any time to study or work when he has a wife because she’ll want to do is kiss him all day long. The exchange between the brothers was amusing, and really brought the characters’ personalities to life for me. I really enjoyed watching Adam and Isaac’s friendship develop, almost as much as I appreciated the romance between Adam and Lena.

One of my favourite aspects of Kelly’s writing is how her romantic scenes are just a little bit more edgy than most Amish authors’, showing the importance of physical as well as spiritual and emotional attraction in a marriage. The cellar scene was the one that made me really start to care about Adam and Lena, when I found myself rooting for them to get together, even though Lena was then engaged to Isaac. I won’t say any more than that, but any true romance fan can’t help but root for Adam and Lena after reading the all important cellar scene. Kelly hasn’t neglected her trademark of edgy romance, even in the eighteenth century.

I have to admit that I found Adam far more interesting to read about than Lena, and what made me keep reading this book, even during the tough scenes, was the desire to find out what was behind his disturbing dreams. I don’t know a lot about Post Traumatic Stress Disorder, but I found the portrayal of Adam’s struggles to be very realistic. Since PTSD wasn’t properly recognised until around the time of the First World War, it made me wonder how men like Adam were treated by society at this time, which made him all the more endearing.

On the topic of dreams, I also loved the way that Kelly incorporated the Holy Spirit into her novel, through visions and healings. It seems that writing about the Holy Spirit in Christian fiction is just as hard as presenting the physical love between a husband and wife. Kelly manages both in this novel, and I was really impressed by the way that she wrote the scenes containing healings and visions. Nothing felt forced, and I definitely got a sense of the characters’ faith in God. However, I will say that I felt that the message of “God is for us” to be a bit overwrought. I liked how Ruth, the non-Amish wet-nurse, mused over this statement as she came deeper into her faith with God, but as I got further into the novel so many characters were quoting this passage that I wanted to ask them if they actually knew of any other verses in the Bible. It fitted Ruth’s storyline, but at times the statement was made to the extent that it no longer seemed comforting and just became repetitive.

Although I have my qualms about some aspects of this novel, Arms of Love is an encouraging start to Kelly’s historical series and I hope that further Amish Beginnings novels are of a similar fare. Readers might be put off initially by the introduction of so many characters at the start of the novel and the presence of so many sorrowful events, but I would encourage readers to persevere, as this novel is definitely taking the time to read. Kelly doesn’t shy away from edgy topics, from romance to spiritual issues, and her presentation of both in this novel reflects what I’ve come to expect from her writing. I hope that other readers are similarly pleased and challenged by Arms of Love.

Review title provided by Thomas Nelson.

By the Light of the Silvery Moon - Tricia Goyer

GENRE: HISTORICAL ROMANCE

PUBLISHER: BARBOUR

PUBLICATION DATE: MARCH 01, 2012

RATING: 7 OUT OF 10 – GOOD

PROS: Interesting take on the parable of the prodigal son; really captures the essence of what it was like to be onboard the Titanic

CONS: Hero and heroine fell in love too fast for it to be believable; some characters were underdeveloped; preachy in places

Amelia Gladstone and Quentin Walpole are both looking forward to making a new start in America, and the first step in their journey is taking a trip on the Titanic. But while Amelia’s ticket has been paid for by a potential suitor hoping to meet her and her aunt when they arrive in America, Quentin is thrown off the ship when he attempts to sneak onboard. Amelia can never ignore a need, but she doesn’t imagine how her life will change when she hands Quentin her spare ticket. Not only is this trip the start of a whirlwind romance with Quentin, but Amelia’s discoveries about her new friend help her to reunite him with his long-lost family, who are also onboard the Titanic. Soon Amelia is swept into the life of the first class passengers on the ship, dancing and dining with Quentin’s older brother, Damian, while Quentin struggles in deciding whether or not he should reintroduce himself to his family. And if he doesn’t, is he worthy of Amelia’s time and love? But very soon, Amelia and Quentin will have much harder problems to deal with, ones which could tear them apart for ever.

When looking at this spring’s new releases, it almost seems as if every publisher in existence was trying to put a Titanic novel on the shelves. When it came to deciding which book I wanted to read to commemorate the sinking of the Titanic, By the Light of the Silvery Moon was an obvious choice, as I’ve thoroughly enjoyed some of Tricia’s previous novels. But while I had high hopes for her writing and storytelling abilities, I was a bit cautious when it came to fitting a love story into the short space of time from the Titanic leaving Britain and coming to its sad demise only a few days later.

Ultimately, I was very satisfied with By the Light of the Silvery Moon. I came to care about the characters and could feel my heart thudding during the scene in which the ship sank. I can’t even begin to mention the amount of detail that Tricia put into the descriptions of the cabins, dining rooms, clothing and food onboard the Titanic. Tricia definitely did a lot of research into what it was like travelling on the Titanic and I could easily imagine many of the scenes that she described. But I feel that there were some aspects of the characterisation and romance that felt a little underdeveloped, which is only natural when you’re trying to fit so much into such a short space of time.

Anyone who reads my reviews will know that I’m just not a big fan of love-at-first-sight stories. I kid you not when I tell you that the first time I saw my fiancé, I turned to my friend and said “He looks a bit weird, doesn’t he?” We did not have a fairytale romance, and I’m okay with that – real life is not that perfect. But a romance onboard the Titanic is definitely going to be along this vein, which I anticipated when I started reading this book. I had to try to make myself forget that Amelia and Quentin had only known each other for a few days when they described the strong emotions that they felt for each other. Ultimately, I did enjoy reading about their relationship and was rooting for them in the end, but I didn’t find how quickly they fell for each other to be entirely plausible.

When it came to Amelia on her own, I did really like her character, even if she seemed a bit too perfect at times. I was worried that Amelia didn’t have any flaws, until her aunt challenged some of Amelia’s notions about love and marriage. I had to be similarly challenged about my romantic ideals a few years ago so I could definitely relate to this part of the book. The section in which Amelia mused over her dilemma over whether to settle for someone stable, like her potential suitor in America, or risk her love on someone who has made a lot of mistakes in their life, like Quentin, was one of the most realistic and touching scenes relating to Amelia and Quentin’s relationship.

While I did like the fact that Quentin and Damian’s story was a retelling of the parable of the prodigal son – although I’ll admit, it took me a while to realise the inspiration behind this part of the plot – I wish that Damian’s character had been developed further. I knew that he was the villain of the story but I wish that Tricia could have delved deeper into what made him such a hateful person. There were some hints of jealousy and rivalry between the brothers, and bitterness because Damian associated their mother’s death with Quentin, but these hints weren’t developed enough to let me see Damian as a truly believable character. Although Damian managed to redeem himself in the end I still felt like something was missing from his part of the story.

When it came to the spiritual aspects of By the Light of the Silvery Moon, I liked the idea of Quentin learning that he needed to forgive himself in order to restore his relationship with God, but I wasn’t so keen on the execution of this part of the plot. The scene in which Quentin finally talked to God and asked for forgiveness was just a little bit too cheesy for my liking. Some of the spiritual sections of this book, particularly the conversations between Amelia and Quentin, were realistic, but others verged on too sermon-like. I was actually surprised at the way that Tricia dealt with the spiritual issues in this book as the spiritual aspect of her Big Sky series was what made me love it so much, but her approach in By the Light of the Silvery Moon seemed entirely different. I also have to mention that I’m honestly convinced that every single character that Amelia came into contact with on the Titanic was a Christian. Even in 1912, I didn’t see this as at all realistic. Please correct me if you find a character in By the Light of the Silvery Moon that doesn’t have some sort of relationship with God, but this is the way that it seemed to me when I was reading this book.

Ultimately I found By the Light of the Silvery Moon to be an enjoyable love story set onboard the Titanic. As far as I could tell, the details about the ship and its sinking were accurate and really made the story come to life. Tricia’s strengths definitely lie in her ability to research and recreate a scene.. While I did struggle with how quickly Amelia and Quentin came to fall for each other, this may just be a matter of personal taste, and I’m sure that some romance readers won’t let this deter them. By the Light of the Silvery Moon didn’t quite live up to some of Tricia’s previous novels, namely in the character of Damian and the heavy-handedness with the spiritual sections of the novel, but  those looking for a romantic, dramatic retelling of the sinking of the Titanic won’t be disappointed.

Review title provided by Barbour.